donald judd untitled stack 1967Blog

donald judd untitled stack 1967

It wasn’t going to tell you anything about Donald Judd’s soul.For Judd what mattered was the placement of these pieces, very deliberately sandwiched between walls, floor and ceiling.

Object information is a work in progress and may be updated as new research findings emerge. It’s really about space as much as it is about object. Donald Judd, widely regarded as one of the most significant American artists of the post-war period, is perhaps best-known for the large-scale outdoor installations and long, spacious interiors he designed in Marfa, Texas. Lacquer on galvanized iron, Twelve units, each 9 x 40 x 31" (22.8 x 101.6 x 78.7 cm), installed vertically with 9" (22.8 cm) intervals.

This particular stack is made of galvanized iron, which is the kind of material that you would see normally on the facade of some skyscraper, or those barriers that divide highways, and the colors he would use would be, again, industrial paints. Block Fund; through prior purchase of the Twentieth-Century Discretionary Fund; Ada Turnbull Hertle and Frederick W. Renshaw Acquisition funds; through prior gift of Florene May Marx and Samuel A. Marx; restricted gift of Aaron Fleischman; Alyce and Edwin DeCosta and Walter E. Heller Foundation Fund; Wirt D. Walker Trust; restricted gifts of Judith Neisser and Janet and Craig Duchossois; through prior gift of Joachim Jean Aberbach and Julian J. Aberbach; Wilson L. Mead, Watson F. Blair Prize, Marian and Samuel Klasstorner, and Gladys N. Anderson funds; through prior bequest of Marguerita S. Ritman; Mr. and Mrs. Frank G. Logan Prize Fund; through prior gifts of Mrs. Leonard Haddad and an Anonymous Donor© 2018 Judd Foundation / Artists Rights Society (ARS), New York.

He typically called the works Untitled, sometimes adding the word progression to the title. This work, like all of Judd’s work from this time, was made by a fabricator in a shop. Donald Judd's progression sculptures are a series of wall sculptures created between 1964 and the 1970s. Every stack is installed like a spine or column, not only cantilevered out from the wall but also connecting floor to ceiling. An influential practitioner of what would come to be called—much to his chagrin— Minimalism, Donald Judd preferred to describe his often sleek, industrially fabricated works as “specific objects,” neither painting nor sculpture as understood traditionally. Art was a matter-of-fact thing. Donald Judd American, 1928-1994 Untitled (Stack) 1967 Lacquer on galvanized iron Helen Acheson Bequest (by exchange) and gift of Joseph Helman, 1997 Here Judd exploited seriality, predetermining the range of compositional possibilities for the work as a means of circumventing the spontaneaous decisions which an artist is typically faced during the art-making process. Untitled. Judd based each work on a simple mathematical sequence such as the Fibonacci Sequence.
© 2018 Judd Foundation / Artists Rights Society (ARS), New York. To help improve this record, please email There is nothing inherently magical about any of these units. Bien que considéré par beaucoup comme une personnalité importante de l’art minimaliste, Judd nie cette association. Donald Judd est un artiste américain influent connu pour ses sculptures simples à grande échelle. Ses œuvres explorent les natures spécifiques des objets, leur spatialité et leur relation avec le … Judd sought to banish symbolism from abstraction, intending his work to be experienced physically. Helen Acheson Bequest (by exchange) and gift of Joseph Helman. For him there was no mythology about the beauty of the stroke that came from the hand of the artist. Donald Judd, Untitled (Stack), 1967, lacquer on galvanized iron, twelve units, each 22.8 x 101.6 x 78.7 cm, installed vertically with 9" (22.8 cm) intervals (MoMA) Learn More on Smarthistory Donald Judd. Through prior gifts of Mrs. Morton G. Schamberg and Mr. and Mrs. Edward E. Hokin; Charles H. and Mary F. Worcester Collection Fund; through prior gifts and bequest of Solomon B. Smith, Dr. and Mrs. Irving Forman, Mrs. Roy J. Friedman and Mr. and Mrs. Samuel A. Marx; Mary and Leigh B. His primary form became the box—solid or hollow, enclosed or open—often in exacting, serial arrays. This is one of the very important contributions that Judd’s art makes. © 2020 Judd Foundation / Artists Rights Society (ARS), New York 1967 413 ... Curator, Ann Temkin: What seems ordinary in a sculpture by Donald Judd is far from it. Untitled comprises Judd’s seventh “stack,” a compositional mode that became the signature manifestation of his ideas. Donald Clarence Judd est un artiste plasticien et théoricien américain, né à Excelsior Springs le 3 juin 1928 et mort à New York le 12 février 1994.Avec Robert Morris, il est l'un des principaux représentants du minimalisme en sculpture.Ses recherches le mènent à produire des œuvres tridimensionnelles fondées sur des formes simples.

Each work is similar in form, with Judd's choice of material varying depending on the date of production.

His oeuvre has come to define what has been referred to as Minimalist art—a label the artist strongly objected to.

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