josephine decker interview

Posted on August 13, 2020 at 1:06 pm by / tornado sounds 1 hour / Cover story band net

The thing that was so shocking about “The Lottery” was people felt affronted by it because it was so honest. It was real to her, and so that’s all that matters. She’s not the most social person in the world. If the film allows them into their ... [Shirley Jackson] uses a lot of repeating imagery and character development to help you go from a space that is very clearly real to a space that is in a character’s imagination. Your financial contribution will not constitute a donation, but it will enable our staff to continue to offer free articles, videos, and podcasts at the quality and volume that this moment requires. No writer will ever tell you that it is fun to write.

We played it as if it was [happening], because that’s the only way to actually make it feel as real as it would be in Shirley’s head. When she sees Rose come into her bathtub, it doesn’t matter if she’s really there. An avid haunt fan, Shannon spends the entire year visiting haunts and immersive experiences throughout the Southern California area and hopes to one day design her own haunted attraction. What will the next thing be like?

What’s exciting about her is that what she’s doing in storytelling is what I’m also trying to do in storytelling: to collapse the boundaries between the real and the imagined. Below, I’ve compiled our chats into one look at an engrossing movie with a complicated, brilliant woman at its center.The timeline was interesting, because [Shirley] had to be writing [Screenwriter] Sarah [Gubbins] was very clear that she was adapting a novel, So she’s at a place where “The Lottery” has come out, and she’s dealing with this newfound fame. I would imagine tackling the famed and reclusive horror author, For the release of the film, I had the immense pleasure of speaking with Josephine Decker.

And she slips you into that imagined space — not abruptly, but very seamlessly, so you don’t really realize that you’ve gone there — and I think that’s very hard to do.

So a big goal for me, making characters in cinema, is to be honest with them.

That bravery is in a lot of her work. It’s not! So we put her in the horror genre, because we’re like, I don’t know what to do with her. newsletter I have so much respect for writers, because I can’t do it. Our mission has never been more vital than it is in this moment: to empower you through understanding. It’s okay to be hurt by someone saying something negative about what you do. As a woman and an author at that time, I think people didn’t know what the fuck to do with her. When she has that porch scene with Rose — we called it a love scene — it might be really happening. But to me, they’re domestic character stories.

She’s just become this I think we’ve all had that experience where we’ve had a success, and then pressure comes from that: Can you do it again? During the interview, we discussed everything from how the film came together finding the right location to tell the story, and working with the talented cast.Shannon is the Founder of Nightmarish Conjurings and a lover of all things horror and haunt related. It’s a myth that you don’t care whether or not your movie does well, or anyone’s watching your show, or you get a bad review.

Vox’s work is reaching more people than ever, but our distinctive brand of explanatory journalism takes resources — particularly during a pandemic and an economic downturn. She represented Shirley not just as a I think that Shirley at a certain point isn’t sure whether or not she should kill Rose or teach her how to live.

An avid haunt fan, Shannon spends the entire year visiting haunts and immersive experiences throughout the Southern California area and hopes to one day design her own haunted attraction. Are they gonna like it as much?

And so it doesn’t really matter if it was real or not.

She has that biting sense of humor, very similar to [Every day at Vox, we aim to answer your most important questions and provide you, and our audience around the world, with information that has the power to save lives. "It just felt like you'd walked into 1938, 1940," Decker says. You’re always trying to find things that are like the thing that you want to do so that you can figure out how to do the thing you want to do. Rose is drawn to the prickly Shirley, and their fates become intertwined.The film is directed by Josephine Decker, who in movies like 2014’s I recently spoke to both Moss and Decker via Zoom, in separate conversations, but the themes of both discussions were similar: what makes Shirley Jackson so fascinating as a person and a writer, what it’s like to craft a movie with an “unlikable” character, how the real Shirley and the movie’s Shirley diverge, and why her story still matters today. Sign up for the