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bouzouki vs octave mandolin

Jimmy Moon, a Scottish luthier,[2] calls his version of the instrument by both names; Paul Shippey, an English luthier,[3] uses the term “octave mandolin”. The octave mandolin is usually regarded as having a shorter scale length than the Irish bouzouki, in the vicinity of 20 to 23 inches (50 to 59 cm), while the scale length of the Irish bouzouki most often ranges from 24 to 25 inches (60 to 65 cm). As with the mandolin and mandola, the octave mandolin has four courses of two strings each. Sides or … The neck, however, is much narrower, and supports the mandolin string layout, rather than the traditional 6 strings of the guitar. Some luthiers choose to refer to their clearly bouzouki-style instruments as octave mandolins, or even as mandocellos, despite the GDAD tuning. Alec Finn, first in the Cana Band and subsequently in De Dannan, introduced the first more-traditional Greek trichordo (3 course) bouzouki into Irish music. No marks at all on the top. Learn more about guitars and mandolins. In the early 1970s, Andy Irvine gave his Greek bouzouki to Dónal Lunny, who replaced the octave strings on the two lower G and D courses with unison strings, thus reinforcing their lower frequencies. As is typical of the mandolin family, octave mandolins can be found with either a single oval soundhole or a pair of "F" soundholes. Usually the courses are all unison pairs but the lower two may sometimes be strung as octave pairs with the higher-pitched octave string on top so that it is hit before the thicker lower-pitched string. Jimmy Moon, a Scottish luthier calls his version of the instrument by both names and Paul Shippey, an English luthier, uses the term octave mandolin. "Open G" G2 D3 G3 D4, is used by some players and has proven useful for "bottleneck" slide playing. The Irish bouzouki (Irish: búsúcaí) is an adaptation of the Greek bouzouki (Greek: μπουζούκι). The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole. [4] The mandolinists thus avoid learning to read music on the alto clef; music for the octave mandolin is usually written on the more familiar treble clef, and plays an octave lower than the notes shown (see octave clefs). Loving my new Gypsys Music octave mandolin! Ten string and twelve string versions are known as citterns. The octave mandolin typically has a much shorter scale, with pairs of strings that are the same (usually GDAE, but of course the musician can change that), leading to a soft, full sound, just right for the mandolin orchestra. There are differences in the tone of the bouzouki and the octave in spite of the tuning being the same, and this is because of the larger body volume of the bouzouki, the longer scale length and the different string tensions of the two The scale length is now generally a little shorter than Greek bouzoukis, and the distinction between Bouzouki and Octave Mandola (also known in America as Octave Mandolin) has become blurred, as … The octave mandola is a good compromise between mandolin and bouzouki. 1988 Flatiron 3MW bouzouki/ octave mandolin in excellent condition A few light scuffs along the edges that are hardly visible. The Irish bouzouki is probably more common than the octave mandolin and mandola, but all of them can be used to accompany with chords, broken chords and counterpoint, or even to play tunes. Mandolin A mandolin (Italian: mandolino pronounced [mandoˈliːno]; literally "small mandola") is a stringed musical instrument in the lute family and is usually plucked with a plectrum. The scale of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19″ (48.4 cm) to 24″ (61.0 cm), with 21″ (53.3 cm) being typical. The names of the mandolin family instruments vary between Europe and the United States. This geographic distinction is not crisp, and there are cases of each term being used in each country. The scale length is easy enough to master when playing tunes, but equally it’s a great sound for chord backing. An octave mandolin tuned GGDDAAEE, which comprises a 21 or 22-inch scale, is also an octave below a typical mandolin. Other tunings used, although by a minority of players, are "octave mandolin" tuning G2 D3 A3 E4, and "Open D" tuning A2 D3 A3 D4. Usually, courses of 2 adjacent strings are doubled (tuned to the same pitch). By far the most common tuning for the Irish bouzouki is G2 D3 A3 D4. It was later picked up by Andy Irvine and Dónal Lunny, and quickly became the next thing to a standard tuning for the 4 course instrument. Octave mandolin construction is similar to the mandolin: The body may be constructed with a bowl-shaped back according to designs of the 18th century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation, popularized in the United States in the early 20th century. Alec Finn, playing a Greek trichordo bouzouki, uses the traditional D3 A3 D4 tuning with the octave pair on the low D course changed to unison. The versatility of these instruments is the result of their tuning. Sometimes the octave mandolin (also referred to as an octave mandola) is included as well. Soon after, on a visit with Irvine to the workshop of luthier Peter Abnett, Lunny commissioned a bouzouki to the specifications of a classic, 4-course Greek bouzouki but with unison strings and a three-piece, partially staved back. As is typical of the mandolin family, octave mandolins can be found with either a single oval soundhole or a pair of “ f ” soundholes. Double coursed too, bouzouki has the bottom two string pairs in octaves like a 12 stringed guitar with the upper strings in unison. The names of the mandolin family instruments vary between Europe and the United States. The fifth course is usually either a lowest bass course tuned to C2 or D2 on an instrument with a long scale, or a highest treble course tuned to G4 or A4 on a shorter scale. As with the scale length, the number of frets on an octave mandolin also varies widely, from as few as 17 to as many as 24 frets: 18 or 19 frets is typical. IRISH BOUZOUKI (OCTAVE MANDOLIN) Kit MUSICMAKER’S KITS 14525 N. 61ST Street Court PO Box 2117 Stillwater MN 55082 651 439 9120 www.harpkit.com2 1/14/2014 Irish Bouzouki (Octave Mandolin… https://en.wikipedia.org/w/index.php?title=Octave_mandolin&oldid=1000253330, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 January 2021, at 09:59. [7] This was pioneered by Johnny Moynihan (apparently in an attempt to replicate the open, droning sound of Appalachian "clawhammer" banjo) first on the mandolin and then transferred to a Greek bouzouki. Usually the courses are all unison pairs but the lower two may sometimes be strung as octave pairs with the higher-pitched octave string on top so that it is hit before the thicker lower-pitched string. There are many other ‘modal’ ways that From the mid-20th century on, a number of makers have produced octave mandolins with guitar-shaped (e.g., the “hourglass” or “figure 8”) bodies. For many builders and players, the terms "bouzouki", "cittern", and "octave mandolin" are more or less synonymous. Alternate tunings of G−D−A−D and A−D−A−D are often employed by Celtic musicians. Alternate tunings of G, D, A, D and A, D, A, D are often employed by Celtic musicians. They are also occasionally called "10 string bouzoukis" when having a longer scale length. Irish Bouzouki. The Octave Mandolin is a fretted string instrument with four pairs of strings tuned in fifths, G, D, A, E (low to high), an octave below a mandolin. Alternate tunings exist in which the strings in some courses are tuned to octaves, rather than unisons, but this is more typical of the Irish Bouzouki. In this guide we explain the differences between each. The standard octave mandolin tuning is G2 G2− D3 D3− A3 A3− E4 E4, so the lowest open strings are tuned to the lowest G on the guitar, and the highest strings are tuned to the same E as the highest string of the guitar. On modern instruments X-bracing is sometimes used. Playing music is fun and lasts a lifetime! In Europe outside the British isles, mandola is the larger G−D−A−E tuned instrument while the smaller C−G−D−A tuned one is known as alt-mandoline (i.e., alto mandolin), mandoliola or liola. The 'Irish' Bouzouki has a brighter more open sound, and is easier to hold. The name cittern is often applied to instruments of five courses (ten strings), especially those having a scale length between 20 and 22 inches (500mm and 550mm). Confusion will likely continue as the terms continue to be used interchangeably. This is an octave mandolin or mandola or even a bouzouki if you wish- I'm unaware of the stringing and tuning differences. Mandolin-family luthiers producing an octave mandolin are more likely to use mandolin tuning machines and reproduce the details and styling of their American-style carved top mandolins. On modern instruments X-bracing is sometimes used. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features The newer Greek tetrachordo (4 courses of strings) bouzouki was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval soundhole. Also, octave mandola is sometimes applied to what in the U.S. is a mandocello. As with the scale length, the number of frets on an octave mandolin also varies widely, from as few as 17 to as many as 24 frets: 18 or 19 frets is typical. The G D A D tuning is closer to the D3 A3 D4 tuning of the Greek trichordo bouzouki than is the guitar-like tuning C3 F3 A3 D4 used on the modern Greek tetrachordo, and is particularly well suited to a modal harmonic approach to accompaniment as used in Irish traditional music. Alternate tunings exist in which the strings in some courses are tuned to octaves, rather than unisons, but this is more typical of the Irish Bouzouki. It is larger than the mandola, but smaller than the mandocello and its construction is similar to other instruments in the mandolin family. handmade octave mandolin A.Carvalho 308 CEDAR Octave Mandolin with Pickup €575 Price : €575 Availability : In stock Ex VAT export €467.48 Photo is for illustration purposes only and is from previous stock.Appearances of Confusion will likely continue as the terms continue to be used interchangeably. The Also, octave mandola is sometimes applied to what in the U.S. is a mandocello. [1] The instruments that are known in the US as the mandola and the octave mandolin tend to be known in Great Britain and Ireland as the tenor mandola, the octave mandola (or the "Irish bouzouki"). The two strings in each course are tuned in unison. I was more interested in the Irish tunes than the others. Octave mandolin construction is similar to the mandolin: the body may be constructed with a bowl-shaped back according to designs of the 18th-century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation popularized in the United States in the early 20th Century. There are lots of options for Irish Bouzoukis as well. This tuning is one octave below the mandolin (or a fourth below the mandola), and is equivalent to that of the tenor violin: The average range, therefore, is about three-and-a-half octaves, with the exact range depending on the number of frets on the individual instrument: from about one and one-third octaves below middle C up to A♯5 / B♭5, in the octave above middle C, (with 18 frets), to as high as E6, with 24 frets. Luthier Stefan Sobell, who coined the term "cittern" for his modern, mandolin-based instruments, originally used the term for short scale instruments irrespective of the number of their strings, but he now applies "cittern" to all 5 course instruments irrespective of scale length, and "octave mandolin" to all 4 course instruments, leaving out bouzouki entirely. As with the mandolin and mandola, the octave mandolin has four courses of two strings each. The mandolin family consists of the mandolin, mandola, bouzouki, cittern and mando-cello. Traditional Irish tunes played by Emily Martin of The Martin Family Band from Maryland. Short vid with slightly messy playing for this unusual bouzouki. In Europe outside the British isles, mandola is the larger GDAE tuned instrument while the smaller CGDA tuned one is known as alt-mandoline (i.e., alto mandolin), mandoliola or liola. The instruments that are known in the USA as the mandola and the octave mandolin tend to be known in Great Britain and Ireland as the tenor mandola, the octave mandola (or the "Irish bouzouki"). The two strings in each course are tuned in unison. The octave mandolin is usually regarded as having a shorter scale length than the Irish bouzouki, in the vicinity of 20 to 23 inches (50 to 59 cm), while the scale length of the Irish bouzouki most often ranges from 24 to 25 inches (60 to 65 cm). This geographic distinction is not crisp, and there are cases of each term being used in each country. These longer-scaled instruments are generally acknowledged to possess greater volume, sustain, and tonal richness but some players find the stretches involved in fingering too difficult and so prefer shorter scale lengths. What's the Difference Between Irish bouzouki and Octave mandolin. These instruments are typically constructed essentially like acoustic guitars, with similar woods and internal bracing. Octave Mandolins have some favor with bluegrass musicians so in North America you may have a better chance of finding one. Octave Mandolins and Citterns The octave mandolin is a tear-drop shaped instrument strung with four courses of steel strings, usually tuned GDAE or similar, one octave below mandolin pitch. It is larger than the mandola, but smaller than the mandocello and its construction is similar to other instruments in the mandolin family. Mandolins, bouzoukis, octave mandolas, citterns, tenor mandolas and all other types in the mandolin family plus accessories, books and music. The scale of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19" (48.4 cm) to 24" (61.0 cm), with 21" (53.3 cm) being typical. I have been playing Octave Mandolin and Irish Bouzouki for a little over a week now and just received this book, which I find to be exceptionally good. You are more likely to find an off the shelf Octave Mandolin than an Irish Bouzouki. Some instruments have scales as long as 26 or even 27 inches (66 to 68 cm). Since then, the instrument has been adapted for Irish traditional and other styles of folk music. Octave mandolins are sometimes used in mandolin orchestras in place of mandolas. The octave mandolin is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high), an octave below a mandolin. Normally for a Celtic musicians the alternative tuning of G, D, A, and D is A, D, A and D. Shape of octave mandolin is smaller than Irish bouzouki such as the length of its neck is smaller than the Irish bouzouki that’s the major reason that distinguishes between the …

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